ELEGANT TONAL DESTRUCTION
Radio mode utilizes classic amplitude modulation techniques to transform signals into vintage broadcast radio.
DIRTย is a distortion stompbox that combines analog modeling with highly refined controls and flexible routing options.
Blend seamlessly from dry signals, through distortion, and on to wavefold distortion, for dynamic transitions and combinations.
BITEย is a bitcrusher and sample rate reducer that offers the sought-after sound of the early digital era and transforms any signal into lo-fi goodness.
Crunch parameter can be combined with DC offset to generate an interesting sense of crackling sustain.
FREAKย combines frequency shifting, ring modulation and radio modulation techniques in one versatile package. With tailored control over each parameter, dive into a world of creative signal processing.
Radio mode utilizes classic amplitude modulation techniques to transform signals into vintage broadcast radio.
DIRTย is a distortion stompbox that combines analog modeling with highly refined controls and flexible routing options.
Precision bit-crushing: Recreate the prized sonic imperfections that defined hip-hop and dance musicโs first golden era, or dial the bits right down to depth-charged extremes.
Organic-sounding distortion, crafted by sound designers. Flexible signal routing, blending, and other carefully crafted parameters allow a level of control not normally associated with distortion units.
Three sound-bending modulation types offer retro radio lo-fi and wild sidechain ability, alongside classic AM, ring mod, and frequency shifting techniques.
EFFECTS SERIES โ CRUSH PACK is compatible withย Native Kontrol Standardยฎ (NKS). This means you can browse and load presets straight from your KOMPLETE KONTROL or MASCHINE hardware. Each effect loads automatically mapped, so you can start playing and tweaking parameters immediately.
NOTE: To access NKS features you must install the KOMPLETE KONTROL (version 2.0 or higher) or MASCHINE software (version 2.7.6 or higher) via Native Access.
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